Mosaic Representation in Ancient Morocco: Iconography, Function, and Cultural Identity in Mauretania Tingitana

Abstract

Mohamed Amin Saad Farag*

Mosaics represent one of the most expressive artistic media of Roman North Africa. In ancient Morocco, particularly within the Roman province of Mauretania Tingitana, mosaic art developed into a sophisticated visual language reflecting social identity, religious beliefs, and imperial ideology. This paper examines mosaic representation in ancient Morocco, focusing on iconography, stylistic development, workshop production, and the cultural significance of mosaic imagery. Through an analysis of major sites such as Volubilis, Lixus, and Banasa, this study argues that Moroccan mosaics demonstrate a unique synthesis of Roman artistic norms and local African traditions, forming a distinct provincial artistic identity.

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